Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The Petersen Quartet’s account of Op. 131, coupled with Op. 18 No. 1 (Capriccio, 3/95) made a strong impression last...
Reviewed by Robert Layton in issue: 4/1996
In his recent release of Clementi piano sonatas, Peter Katin has made a convincing case for playing this music on...
Reviewed in issue 2/1994
After Ponchielli chasing hippos, Dukas pursuing a dare-devil apprentice, Mussorgsky fraternizing with a bunch of demons and Bach thundering down...
Reviewed in issue 12/1995
Despite the title, there is no portrait of Janowitz on the front of this set. Instead, two angels rise aloft,...
Reviewed in issue 12/1995
The ‘heavenly voices’ of the title are those of the boy-choristers of King’s College, Cambridge, and they answer the description...
Reviewed by John Steane in issue: 11/2004
DG’s in-house Messiaen expert Myung-Whun Chung leads performances of the niche Trois Petites Liturgies and Hymne as part of the...
Reviewed by Philip_Clark in issue: 12/2008
Much of this music is gently nostalgic and lightly scored and it gains much from the background silence and sophisticated...
Reviewed by Ivan March in issue: 10/1984
This was always the odd one out among Callas's EMI recordings. Though originally, in the UK, issued (like the others...
Reviewed in issue 2/1991
Other artists, of course, have recorded the 48 on the piano – Schiff and Nikolaieva among the more recent; but...
Reviewed by Lionel Salter in issue: 2/1998
''I deeply loathe it... the finale in particular is something deadly.'' You and I probably feel differently. Tchaikovsky originally felt...
Reviewed by John Steane in issue: 3/1994
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.