Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Menuhin went on to re-record the Mendelssohn Concerto three more times in post-war years, but I don't think he ever...
Reviewed in issue 6/1991
The Schubert Moments are probably the sort of thing at which Barenboim is best. They are so excellently judged throughout...
Reviewed in issue 7/1985
When listening to this record, I advise putting all preconceived ideas about the interpretation of these works out of mind....
Reviewed in issue 10/1986
In some ways the F major was the most impressive of the Lindsay set of the Rasumovsky Quartets and its...
Reviewed by Robert Layton in issue: 4/1987
Opera in the Verona Arena can no doubt be great theatre but it can also be very poor television: essentially,...
Reviewed in issue 13/1997
Gerald Gifford's elegant recording of these charming concertos has been a close companion for years. My dog-eared LP can now...
Reviewed by Marc Rochester in issue: 10/1992
When Gustav Leonhardt made this second recording of his of the Goldberg Variations in 1965, there were only about half...
Reviewed by Lionel Salter in issue: 3/1996
''The first great English oratorio'': that was Winton Dean's view of Athalia in his classic study of Handel's oratorios 30...
Reviewed by Stanley Sadie in issue: 11/1986
Delius and Elgar both had an uncanny ability to print their signature on almost every bar they wrote. These two...
Reviewed in issue 7/1986
An extraordinary level of refinement is achieved here as Yuri Bashmet and his Moscow Soloists completely strip away the “pop...
Reviewed by Edward Seckerson in issue: 1/2009
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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