Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Although Berwald’s best music comes from the 1840s (he was born in 1796), two early works stand out: the G...
Reviewed by Robert Layton in issue: 8/1996
This is all extremely skilful. The voices of the King's Singers are superbly blended and balanced; they never show any...
Reviewed by David Fallows in issue: 10/1988
Teseo is Handel’s only London opera divided into five acts in the French style. Nicola Haym created an Italian libretto...
Reviewed by David Vickers in issue: 1/2006
With Mozart's piano concertos now safely enshrined on records (or very nearly so) using period instruments, and with 'early musicians'...
Reviewed by Stanley Sadie in issue: 5/1988
Frank Martin's own recording of the Petite symphonie concertante comes from 1970 and confirmed my suspicion that most performances and...
Reviewed by Robert Layton in issue: 10/1991
Listening to Bruckner in the privacy of one’s own room has always required a certain staying-power, even for those of...
Reviewed by Richard Osborne in issue: 8/2010
This is music-making of the highest order. In general any record of the relatively short pieces that survive from the...
Reviewed by David Fallows in issue: 6/1991
Seven baroque concertos in a row, played with exuberant virtuosity by a master hornist brings over an hour of music,...
Reviewed by Ivan March in issue: 7/1987
Joachim Raff (1822-82) deserves considerably more attention than he currently receives, so full marks to this ever-enterprising Swedish indie for...
Reviewed by Jeremy Nicholas in issue: 7/2010
Though Klemperer's conducting is often described as rugged, these powerful and individual readings of Mozart's last two symphonies give quite...
Reviewed by Edward Greenfield in issue: 11/1987
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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