Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Beethoven's wind music does not often get an airing. Neither of the principal works on this record is in the...
Reviewed by Stanley Sadie in issue: 5/1987
This is vintage Stokowski. I have almost ceased to be astonished at the way early stereo recordings are enhanced by...
Reviewed by Ivan March in issue: 1/1987
Once upon a time crossover for “classical” singers consisted of the odd excursion into Broadway showtunes. Now a year that’s...
Reviewed by Mike Ashman in issue: 11/2007
I'd quite forgotten what a marvellous performance this is—even though, when it comes to Bartok's speech-derived vocal inflexions, native Hungarians...
Reviewed by Rob Cowan in issue: 3/1995
Earlier this year, in the fourth volume of his magnificent Records of English Court Music, Andrew Ashbee published for the...
Reviewed by David Fallows in issue: 9/1991
There was a time some years ago when someone seemed to be climbing Everest almost every week. Now, in the...
Reviewed in issue 11/1991
Every item on these two discs proclaims Stanford’s mastery. It’s curious: the larger works (the symphonies, operas and so forth)...
Reviewed in issue 6/1997
The defiant opening bars of the C minor Trio, Op. 101 constitute a brand of musical confrontation that's rare even...
Reviewed in issue 9/1994
In this anniversary year it’s appropriate to welcome a new recording of Handel’s Op 7 Organ Concertos. Richard Egarr and...
Reviewed by Christopher Nickol in issue: 11/2009
The Oslo-based Cikada Quartet (founded in 1989) is new to current catalogues, and this programme – commendably off-beat and diverse...
Reviewed by Arnold Whittall in issue: 12/1995
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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