Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The quest for authenticity could hardly be carried further than here, at least in respect of the instruments used. For...
Reviewed by Christopher Headington in issue: 4/1995
Schubert began at least 16 operas; he completed only half of them; only one of these was performed in his...
Reviewed by John Warrack in issue: 10/1990
Warmth and spontaneity have generally marked Neeme Järvi’s recordings, but his thrusting manner on this new disc too often brings...
Reviewed by Edward Greenfield in issue: 1/2005
At last there is a Haydn Stabat mater within easy reach. The piece is seldom performed and even more rarely...
Reviewed by hfinch in issue: 9/1990
By far the most substantial work in this recital is Janá¶ek’s Sonata‚ which the players make light of – in...
Reviewed in issue 6/2002
Neither of these works is otherwise available on CD and both receive vigorous and characterful performances; if your tastes are...
Reviewed by Michael Oliver in issue: 2/1985
Sharon Kam makes a success of Krommer’s E flat Concerto, a striking piece that deserves more performances. She does very...
Reviewed by John Warrack in issue: 10/1998
It says much for the Russian pianist Rustem Hayroudinoff that he gives such a command- ing performance of the Dvorák...
Reviewed by Edward Greenfield in issue: 7/2005
Early in the field, the Coldstream Guards have a long history of contribution to record catalogues. In recent years, however,...
Reviewed in issue 12/1985
While Mariss Jansons’s repertoire isn’t large it is always perfectly formed with Mahler somewhere close to its heart. Compared to...
Reviewed by David Gutman in issue: 12/2008
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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