Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Born in Lisbon of an Italian father, João Domingos Bomtempo spent much of his career in Paris and London, developing...
Reviewed by Andrew Lamb in issue: 11/2004
“Everybody in the whole Academy was singing – except one music critic,” recalled a light-hearted Leopold Stokowski at a 1935...
Reviewed in issue 5/1996
If anyone is disconcerted by the idea of having a Chopin concerto played on an 1851 Erard piano, then let...
Reviewed by Edward Greenfield in issue: 6/1998
It doesn't make much sense to pair these works (so far as I am aware the present coupling is unique)...
Reviewed in issue 3/1995
This dreary if perversely instructive DVD charts the ups and downs (mainly downs) of four young Russian pianists as they...
Reviewed by Bryce Morrison in issue: 3/2011
The Latvian soprano has one of the loveliest voices of our time‚ smooth and rich and‚ at its centre‚ comparable...
Reviewed in issue 2/2002
After a busy Easter in Leipzig in 1724, Bach’s May was no less productive, even though his scoring was proportionally...
Reviewed by Jonathan Freeman-Attwood in issue: 6/2003
An excellent coupling. For a start the one moderately popular work here, Il tramonto, receives a pretty well ideal performance...
Reviewed by Michael Oliver in issue: 8/2000
Six pretty but intellectually undemanding sonatas published in 1754 by Alessandro Besozzi, a leading oboist of his day famous for...
Reviewed by Lindsay Kemp in issue: 10/1999
In some ways the most unexpected item here may be Geoffrey Toye’s waltz from the ballet The Haunted Ballroom, since...
Reviewed by Andrew Lamb in issue: 13/2003
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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