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La flûte norvégienne

This is as much a celebration of the Norwegian Radio Orchestra’s principal flute chair as it is a snapshot of...

Reviewed by Andrew Mellor in issue: 11/2017

Vladimir Jurowski: 10 Years

Unlike many of his colleagues, Vladimir Jurowski has always been a records man. The Russian-born conductor freely admits to Andrew...

Reviewed by Peter Quantrill in issue: 11/2017

WEINER Serenade. Five Divertimentos

I demand to know what Neeme Järvi has for breakfast! At 80 years old, with nearly 500 recordings under his belt, he...

Reviewed by Mark Pullinger in issue: 11/2017

VAUGHAN WILLIAMS Symphony No 7. Concerto for Two Pianos

Here’s the final instalment in the Vaughan Williams symphony cycle launched so propitiously all those years ago by Richard Hickox...

Reviewed by Andrew Achenbach in issue: 11/2017

VAUGHAN WILLIAMS Symphony No 2, ‘A London Symphony’

Martyn Brabbins masterminds a superbly involving account of Vaughan Williams’s A London Symphony in its first published edition from 1920. Clocking...

Reviewed by Andrew Achenbach in issue: 11/2017

STRAUSS Also sprach Zarathustra MAHLER Totenfeier

Those familiar with Vladimir Jurowski’s Strauss from the concert hall will have some idea of what to expect from his...

Reviewed by Hugo Shirley in issue: 11/2017

PROKOFIEV Peter and The Wolf RAWSTHORNE Practical Cats

>Presenter, actor and singer Alexander Armstrong is probably best known to children as the voice of CBBC’s Danger Mouse, and he...

Reviewed by Tim Ashley in issue: 11/2017

MOZART Serenades

An hour spent with Mozart in light-music mode is always an hour well spent, and here we have not one but...

Reviewed by David Threasher in issue: 11/2017

MOZART Violin Concerto No 5. Violin Sonata No 32

Noa Wildschut is one to watch – as proclaimed in the last issue of Gramophone, as well as by Anne-Sophie Mutter, who has mentored...

Reviewed by David Threasher in issue: 11/2017

MAHLER Symphony No 4 (Gergiev)

This is a trickiest of discs to write about – unremarkable performances often are. For the first few pages that’s how it felt:...

Reviewed by Edward Seckerson in issue: 11/2017

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