STRAUSS Also sprach Zarathustra MAHLER Totenfeier
View record and artist detailsRecord and Artist Details
Composer or Director: Gustav Mahler, Richard Strauss
Genre:
Orchestral
Label: Pentatone
Magazine Review Date: 11/2017
Media Format: CD or Download
Media Runtime: 65
Mastering:
DDD
Catalogue Number: PTC5186 597
Tracks:
Composition | Artist Credit |
---|---|
Also sprach Zarathustra, 'Thus spake Zarathustra' |
Richard Strauss, Composer
Berlin Radio Symphony Orchestra Richard Strauss, Composer Vladimir Jurowski, Conductor |
Totenfeier |
Gustav Mahler, Composer
Berlin Radio Symphony Orchestra Gustav Mahler, Composer Vladimir Jurowski, Conductor |
Symphonisches Praeludium |
Gustav Mahler, Composer
Berlin Radio Symphony Orchestra Gustav Mahler, Composer Vladimir Jurowski, Conductor |
Author: Hugo Shirley
The flipside is that it’s a performance that can feel reined in. The famous opening, though not actually significantly faster than many well-known versions, feels short on expansiveness (and I find the timps rather boomy). There could be more Dionysiac swirl in the dance, more fire in ‘Von den Leidenschaften und Freuden’. Some of the solo work, though difficult to fault technically, also strikes me as undercharacterised. If you’re after clear sense and lucidity, give this a listen; if you’re looking for an Also sprach to really sweep you off your feet, I’d stick with Karajan’s classic account or, more recently, the CBSO and Nelsons.
The Totenfeier coupling obviously enters a rather less competitive field, albeit one that already features a recording by Jurowski himself – a sinewy, taut live performance with the OAE. This Berlin account is every bit as convincing but favours an imposing grandeur over its predecessor’s exciting rawness. And, as with the Strauss, it benefits a great deal from Jurowski’s patience: the build-up as the march gradually picks itself up from around 12'50", for example, is masterfully controlled.
The programme’s final work causes a certain confusion. Pentatone’s booklet essay notes that this 1876 Symphonic Prelude for orchestra is now usually ascribed to Bruckner but it is listed as being by Mahler in the track-listing and referred to as such in Jurowski’s own little introductory note. Whatever the case, though, the expansive, eloquent performance it receives here tops off a worthwhile disc.
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