PROKOFIEV Peter and The Wolf RAWSTHORNE Practical Cats
View record and artist detailsRecord and Artist Details
Composer or Director: Camille Saint-Saëns, Sergey Prokofiev, Alan Rawsthorne
Genre:
Orchestral
Label: Warner Classics
Magazine Review Date: 11/2017
Media Format: CD or Download
Media Runtime: 78
Mastering:
DDD
Catalogue Number: 9029 57595-2
Tracks:
Composition | Artist Credit |
---|---|
Peter and the Wolf |
Sergey Prokofiev, Composer
Alexander Armstrong, Narrator Royal Liverpool Philharmonic Orchestra Sergey Prokofiev, Composer Vasily Petrenko, Conductor |
Practical Cats |
Alan Rawsthorne, Composer
Alan Rawsthorne, Composer Royal Liverpool Philharmonic Orchestra Vasily Petrenko, Conductor |
(Le) Carnaval des animaux, 'Carnival of the Animals' |
Camille Saint-Saëns, Composer
Camille Saint-Saëns, Composer Jan Buckle, Piano Richard Casey, Piano Royal Liverpool Philharmonic Orchestra Vasily Petrenko, Conductor |
Author: Tim Ashley
Its companion pieces are Carnival of the Animals, with Ogden Nash’s narration written for Noel Coward in 1949, and Alan Rawsthorne’s 1954 ‘entertainment for speaker and orchestra’, derived from TS Eliot’s Old Possum’s Book of Practical Cats and commissioned for a children’s concert at the Edinburgh Festival. I’ve never been fully convinced by Nash’s Carnival, where the knowing irony of the verse and the fantasy of the music sometime seem at odds, but Armstrong delivers the text with tongue-in-cheek grace, and pianists Richard Casey and Ian Buckle join forces with a group of RLPO soloists for a performance that is very stylish indeed.
Despite its genesis, meanwhile, Practical Cats is arguably less successful than its companions as a work for children, largely because Rawsthorne’s idiom, ambivalently glancing at British musical tradition from Elgar to Walton, lacks Prokofiev’s melodic immediacy and Saint-Saëns’s instrumental magic. It does, however, bring out Armstrong’s finest instincts as both actor and musician. He sounds palpably delighted to be speaking verse by one of the great poets and his unforced way with Rawsthorne’s rhythmic declamation is consistently engaging. Petrenko and the RLPO have fun with it, too. There’s plenty of louche swagger as Gus: the Theatre Cat recounts past histrionic glories, and some fine Elgarian parody when Bustopher Jones: the Cat About Town takes us on his grand tour of London. The accompanying booklet only provides the text for Peter and the Wolf, meanwhile, though it includes some wonderful illustrations, by Paul Marc Mitchell, of Saint-Saëns’s animals and Rawsthorne’s cats, which children – and more than a few adults – will love.
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