Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Keeril Makan’s Letting Time Circle Through Us (2013) is a sextet in one large, euphonious, unbroken span. Written for the...
Reviewed by Guy Rickards in issue: 12/2017
What an interesting pairing of works the Euclid Quartet have come up with for their new disc. ‘American Quartets’ teams Dvořák’s String Quartet...
Reviewed by Donald Rosenberg in issue: 12/2017
Craig Sheppard, the Philadelphia-born pianist who turns 70 this year, has built a remarkable career by almost any standard. He studied with...
Reviewed by Patrick Rucker in issue: 12/2017
On the plus side, pianist Eliane Rodrigues possesses a colourful and focused sonority, abetted by the superb acoustic ambience of the...
Reviewed by Jed Distler in issue: 12/2017
Paul Chihara (b1938) is well known as a film composer – starting with Death Race 2000 for Roger Corman in 1975 –...
Reviewed by Guy Rickards in issue: 12/2017
‘I haven’t seen the ancient forests of Northern Finland but I still think I do a pretty convincing Tapiola’, Hannu Lintu told me for a...
Reviewed by Andrew Mellor in issue: 11/2017
Any new Jonathan Plowright recording is a cause for celebration, even more so when he brings to the catalogue a...
Reviewed by Jeremy Nicholas in issue: 11/2017
This interpretation of Beethoven’s Violin Concerto could be considered ‘old school’ by today’s standards. Indeed, if you’ve heard Manze’s sinewy account...
Reviewed by Andrew Farach-Colton in issue: 11/2017
According to the Mercure de France, Rameau composed Pygmalion (1748) in less than eight days, responding rapidly to an urgent commission...
Reviewed by David Vickers in issue: 11/2017
Mari Samuelsen is joined by her cellist brother Håkon and the Trondheim Soloists for an album which hangs off the...
Reviewed by Andrew Mellor in issue: 11/2017
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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