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Review of MONTEVERDI L'Orfeo (Agnew)

MONTEVERDI L'Orfeo (Agnew)

This production, filmed at the Théâtre de Caen in February 2017, is a natural extension of Les Arts Florissants’ five-year madrigals...

Reviewed by David Vickers in issue: 12/2017

Review of Sabine Devieilhe: Mirages

Sabine Devieilhe: Mirages

You’d be forgiven for assuming that this release, featuring a French coloratura soprano in repertoire that includes the Hamlet Mad...

Reviewed by Hugo Shirley in issue: 12/2017

Review of Grandissima Gravita

Grandissima Gravita

It’s not often worth devoting many words of a CD review to the contents of the CD’s booklet. However, what...

Reviewed by Charlotte Gardner in issue: 12/2017

Review of GRANADOS Goyescas (Menor)

GRANADOS Goyescas (Menor)

Regarding Granados and Goyescas, José Menor is as much a scholar as a pianist. In his booklet notes to this...

Reviewed by Jed Distler in issue: 12/2017

Review of SCHUBERT Nacht und Träume

SCHUBERT Nacht und Träume

A lot of thought has gone into this lovely album of orchestrated Schubert songs, as conductor Laurence Equilbey makes clear in...

Reviewed by Hugo Shirley in issue: 12/2017

Review of Parle qui veut: Moralizing songs of the Middle Ages

Parle qui veut: Moralizing songs of the Middle Ages

This has to be one of the most exciting and engaging releases of medieval song in recent years. The Sollazzo...

Reviewed by Edward Breen in issue: 12/2017

Review of Marianne Crebassa: Secrets

Marianne Crebassa: Secrets

Marianne Crebassa’s French song album surveys the fin de siècle mélodie from Duparc to late Fauré, placing the emphasis on...

Reviewed by Tim Ashley in issue: 12/2017

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Review of Sonatas and Nocturnes: 19th Century Gems for Bassoon and Piano

Sonatas and Nocturnes: 19th Century Gems for Bassoon and Piano

Michel Bettez has been principal bassoon for more than 30 years of Montreal’s beloved Orchestre Métropolitain, currently under the artistic direction...

Reviewed by Laurence Vittes in issue: 12/2017

Review of VINES Loose, Wet, Perforated

VINES Loose, Wet, Perforated

Commissioned by the Boston-based experimental opera company Guerilla Opera and premiered in 2011, Nicholas Vines’s highly resourceful pocket opera (four...

Reviewed by Laurence Vittes in issue: 12/2017

Review of TROTTA For a Breath of Ecstasy

TROTTA For a Breath of Ecstasy

The American composer Michael John Trotta has concentrated on choral music for most of his career. The newest disc devoted...

Reviewed by Donald Rosenberg in issue: 12/2017

 

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