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MOZART Don Giovanni (Solti, Live)

Considering that the London Philharmonic has been Glyndebourne’s resident orchestra since 1963, it’s surprising that Georg Solti never conducted the orchestra there given...

Reviewed by Mark Pullinger in issue: 11/2017

MOZART Così fan tutte (Philippe Jordan)

Practise some patience with this one. In selecting choreographer Anne Teresa De Keersmaeker to direct its new production of Così fan...

Reviewed by Mark Pullinger in issue: 11/2017

LEHÁR Die Juxheirat

It’s 1904 and Selma, a wealthy but man-hating widow, is embroiled in a farcical tangle of misplaced affections and cross-dressing as...

Reviewed by Richard Bratby in issue: 11/2017

HUMPERDINCK Hansel and Gretel

Where do you turn after taping the complete mature operas of Richard Wagner? To the man who contributed the very...

Reviewed by Andrew Mellor in issue: 11/2017

HEGGIE It’s a Wonderful Life

It’s interesting – and revealing – that Pentatone has a designated ‘American Operas’ series. It’s an acknowledgement, if you like, that there is something very...

Reviewed by Edward Seckerson in issue: 11/2017

HANDEL Parnasso in festa

Handel’s serenata about the marriage of Peleus and Thetis being celebrated by Apollo and the Muses on the slopes of Mount...

Reviewed by David Vickers in issue: 11/2017

BERG Lulu

A set of transparent plexiglass chambers functions effectively as the space inside Lulu’s head. It’s mostly empty, with the singers...

Reviewed by Peter Quantrill in issue: 11/2017

ANDRIESSEN Theatre of the World

Louis Andriessen’s operas have possessed more than their fair share of bizarre plots, grotesque twists, surreal scenarios and outlandish characters...

Reviewed by Pwyll ap Siôn in issue: 11/2017

Sous L'empire d'Amour

To say that this disc represents all that is worst about the classical recording industry is no reflection on either...

Reviewed by Alexandra Coghlan in issue: 11/2017

Secret History

Polyphony in the Renaissance was performed in all sorts of ways, from a profusion of voices and instruments to a single lutenist or a...

Reviewed by Fabrice Fitch in issue: 11/2017

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