Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Copland was nothing if not intensely practical, a fact certainly not lost on the planners of the 1939 World’s Fair...
Reviewed by Andrew Achenbach in issue: 3/2001
Last year I gave an enthusiastic welcome to Volumes 3 and 4 of Nancarrow's Studies for Player Piano (7/91) and...
Reviewed by Peter Dickinson in issue: 3/1992
Apart from the recent recordings of music from The Eton Choirbook by The Sixteen and Eton College Choir, English sacred...
Reviewed in issue 6/1995
I made so many notes favourable to this issue that I find it hard now to know where to begin...
Reviewed by Alan Blyth in issue: 9/1996
All the music is played on the harp, and with the possible exception of Anon, was written in the nineteenth...
Reviewed by John Duarte in issue: 12/1984
After a warmly praised CBS debut recording of the Mendelssohn concerto with the New York Philharmonic way back in 1969...
Reviewed by Joan Chissell in issue: 1/1985
Recorded in the Music Hall, Cincinnati in March last year, this is a remarkably self-effacing recording, conveying an impression of...
Reviewed by ihumphreys in issue: 13/2003
This is the famous – or notorious – documentary about the ‘operatic’ recording of Bernstein’s bestloved work‚ a considerable popular...
Reviewed in issue 4/2002
Nowadays there is surely no doubt of Stenhammar's standing as without question the most important Swedish composer after Berwald. Mind...
Reviewed by Robert Layton in issue: 10/1992
Jean Barraque (1928–73) was a remarkable exponent of that elusive and increasingly unfashionable modernist art of making apparently disparate fragments...
Reviewed by Arnold Whittall in issue: 7/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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