Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
''Selected for release on CD for their outstanding artistic and historical importance'' is DG's description of these analogue recordings of...
Reviewed by Joan Chissell in issue: 11/1992
In July 1999 Arte Nova recorded the Tirol Festival production of Wagner’s Siegfried (8/00)‚ and this Götterdämmerung derives from two...
Reviewed in issue 1/2002
More than 30 years have passed since Gieseking's death. For a while thereafter his recordings remained as a monument to...
Reviewed in issue 4/1988
After some initial resistance, it is difficult not to fall eventually under the spell of Johnny Morris’s very personal (and...
Reviewed in issue 2/1999
In this current period of collective belt-tightening it’s good to be reminded of how art can flourish in times of...
Reviewed by William Yeoman in issue: 9/2009
Not all composers have proved to be distinguished interpreters – even of their own works – but Pierre Boulez...
Reviewed by K Smith in issue: 13/2011
Bánk bán has had two previous recordings, from Qualiton in 1962 and from Hungaroton in 1968, the second a vigorous...
Reviewed by John Warrack in issue: 2/2004
Although submitted for performance in 1946, Hartmann’s Sinfonia tragica (1940, rev 1943) became a victim of his wholesale post-war reconstruction...
Reviewed by Guy Rickards in issue: 5/2007
There is a fashion these days for this brand of whimsical pastiche, to give it a kind name (pointless parasitism...
Reviewed by David Fanning in issue: 3/2005
This live recording of what some would argue is Rossini’s finest – certainly his most affecting – comedy was made...
Reviewed by Richard Osborne in issue: 4/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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