Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Nikolai Lugansky, the young and immensely gifted Russian pianist, shows throughout his performances of both concertos that his training and...
Reviewed by Bryce Morrison in issue: 7/2003
The most brilliant and exciting work here is Florent Schmitt's Dionysiaques, all the more welcome because it is so rarely...
Reviewed by Lionel Salter in issue: 8/1988
The outward components of this set aren’t promising: Conductor Zubin Mehta is best known for heavier repertoire, the Israel Philharmonic...
Reviewed by David Patrick Stearns in issue: 8/2011
To appreciate Jarvi's expansive, ripely-recorded version of the quartet in Schoenberg's orchestration, it would be advisable to erase all memories...
Reviewed by John Steane in issue: 2/1991
Three early Britten works for string orchestra. He wrote the comparatively short Prelude and Fugue in the war to commemorate...
Reviewed in issue 8/1984
Sergey Taneyev composed his three piano chamber works in the years 1902-11, on either side of his 50th birthday, when...
Reviewed by David Fanning in issue: 9/2005
Here is one of those good ideas that look perfectly obvious once they have been thought of, and similarly their...
Reviewed in issue 7/1992
In 1988 the Dutch organ firm of Flentrop built an 18th-century Dutch-style instrument for Dunblane's 13th-century cathedral. Despite this deliberately...
Reviewed by Malcolm Riley in issue: 2/2000
These two issues are obviously timed to coincide with this year’s Last Night of the Proms. The Decca is an...
Reviewed by Alan Blyth in issue: 10/1997
This latest addition to CPO’s series of Lehár operetta recordings covers more familiar ground than previous offerings. It comes with...
Reviewed by Andrew Lamb in issue: 2/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.