Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A natural coupling this, but I can't recall it ever actually appearing before now. Generally speaking the performances are as...
Reviewed in issue 9/1987
Milhaud's admirers can never have imagined that last year's centenary would give us so many worthy recordings of his music,...
Reviewed by Christopher Headington in issue: 11/1993
The greatest interest in this record is the substitution, in the String Quartet No. 2, of a viola d’amore for...
Reviewed by John Warrack in issue: 6/1999
There is much to be said for this purposeful yet agreeable Gothenburg recording of the Brahms Double Concerto. Soloist Sara...
Reviewed by Richard Osborne in issue: 5/2010
Until recently, Leifs’ vocal music has been overshadowed by the spectacular orchestral works. Aside from the Iceland Cantata (5/96) and...
Reviewed by Guy Rickards in issue: 1/2001
The very list of 14 arias from eight different operas promises a Puccinian tour de force from this exciting Bulgarian...
Reviewed by Edward Greenfield in issue: 5/1986
Boult recorded the Sixth Symphony with the LSO in February 1949, only months after he had conducted the first performance....
Reviewed in issue 1/1991
The chief interest here is in what might at first sight seem an eccentric juxtaposition. But if Brahms and Schoenberg...
Reviewed by Bryce Morrison in issue: 13/2010
Commissioned and premiered in 1996 by the Northampton Bach Choir under David Temple to commemorate the 60th anniversary of the...
Reviewed by Andrew Achenbach in issue: 2/2000
Some instruments e.g. recorders and viols, have long been made in different sizes and at various pitches, in 'families' suited...
Reviewed by John Duarte in issue: 12/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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