Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Though Ireland’s settings of Housman come first and give the disc its title, they are not the most attractive items...
Reviewed in issue 12/1997
The heavily bombed State Opera House in Vienna reopened on November 5, 1955, with a performance of Fidelio. Die Meistersinger,...
Reviewed by John Steane in issue: 5/2006
The Concerto appears a year after, but was recorded six months before, Gavrilov's live Moscow performance (also on EMI). Not...
Reviewed in issue 10/1991
Leaving aside works of doubtful authenticity, there are five Mozart violin concertos. As their lowish Kochel numbers tell us, they...
Reviewed by Christopher Headington in issue: 6/1991
Cardillac is one of the most provoking and fascinating operas of its time; it is ferociously inventive and packs a...
Reviewed by Michael Oliver in issue: 7/1989
We have come to expect superb performances from Barrueco and in these works we get them. Only in the Grave...
Reviewed by John Duarte in issue: 8/1998
Frans Bruggen’s affection for Rameau’s orchestral music is confirmed by the many previous issues of dances from his operas. These...
Reviewed by Nicholas Anderson in issue: 9/1998
Anthony Gilbert was born in the same year (1934) as Sir Harrison Birtwistle and Sir Peter Maxwell Davies. Though a...
Reviewed by Arnold Whittall in issue: /2000
Whatever version you choose of Peter Grimes, Britten’s operatic masterpiece, you are assured of a dedicated, convincingly executed performance, different...
Reviewed by Alan Blyth in issue: 5/1996
In the great B flat Sonata, Kissin follows the Richter school of ignoring Schubert’s molto moderato in favour of andante....
Reviewed by Jeremy Nicholas in issue: 7/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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