Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These celebrated recordings by the Hollywood Quartet first appeared in 1958 and had to wait for almost a quarter of...
Reviewed by Robert Layton in issue: 1/1997
The Camerata Lysy, like the International Menuhin Music Academy Gstaad of which it is a part, is directed by the...
Reviewed by John Duarte in issue: 7/1987
Biddulph have thankfully done very little tinkering around with these performances and I am glad that the surface noise of...
Reviewed by James Methuen-Campbell in issue: 9/1991
An air of businesslike formality settles over these neatly tailored performances, a case more of swinging rolled umbrellas than swirling...
Reviewed in issue 6/1999
The fifth volume of Bach’s sacred cantatas performed by the Bach Collegium Japan continues their Weimar survey with five pieces...
Reviewed in issue 1/1998
Unfortunately, it is difficult to describe an unfamiliar composer's style without using comparisons. Latvian-born Peteris Vasks (b. 1946) openly admits...
Reviewed by Michael Stewart in issue: 1/1995
Beethoven's two substantial pieces for wind ensemble, the Op. 71 Sextet and the Op. 103 Octet (early in spite of...
Reviewed by Stanley Sadie in issue: 8/1987
Forget what you know regarding Beethoven’s life, for as director Agnieszka Holland writes in the CD booklet, this film is...
Reviewed by Adrian Edwards in issue: 11/2007
The solemnity of Andrea Gabrieli’s music came to the attention of many listeners in the Mass sections of Paul McCreesh’s...
Reviewed by Jonathan Freeman-Attwood in issue: 10/2000
As the excellent and thoroughly researched booklet to this new release points out, Schubert's first known composition was for piano...
Reviewed by James Methuen-Campbell in issue: 10/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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