Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In November 1984 Sir Colin Davis conducted a performance of Messiah in Munich which, says the booklet which comes with...
Reviewed in issue 9/1985
The initial impact of these new recordings was to set me wondering at the breadth of Brahms’s imagination in the...
Reviewed by DuncanDruce in issue: 6/1998
This latest disc from Anonymous 4 is a selection of liturgical and paraliturgical Christmas pieces, taken from medieval Hungarian sources....
Reviewed by mberry in issue: 12/1996
Nikos Skalkottas was a Greek pupil of Schoenberg, sadly neglected and misunderstood in his native land for most of his...
Reviewed by Arnold Whittall in issue: 10/1990
This is a beautifully sung collection of harmonized chants for various liturgical occasions, many of them from the Valaam Monastery,...
Reviewed in issue 8/1999
It is a poor response to a singer, or indeed to an artist of any sort, to talk about him...
Reviewed in issue 8/1989
Marc Minkowski must know his way down to the Underworld by now, after Offenbachian trips with Orphée aux enfers (EMI,...
Reviewed by Richard Fairman in issue: 11/2004
Having only an ordinary CD player, I can’t write about this as a Super Audio CD, but it sounds extremely...
Reviewed by DuncanDruce in issue: 2/2003
Doubtless there are those who enjoy hearing wind quintets play just about anything, as well as those who enjoy hearing...
Reviewed by Andrew Lamb in issue: 4/1998
Admirers of Bernard Roberts’s Nimbus rec- ordings of Bach’s 48 Preludes and Fugues and Beethoven’s 32 sonatas will have a...
Reviewed by Bryce Morrison in issue: 8/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.