Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I thought Bruggen's recording of Mozart's G minor Symphony No. 40 (Philips CD 416 329-2PH, 7/86) as persuasive as any...
Reviewed by Richard Osborne in issue: 12/1986
We don’t often hear symphonies from the 1780s that are not by Haydn or Mozart, and it is salutary to...
Reviewed by Stanley Sadie in issue: 3/1998
Johann Gottlieb Naumann (1741–1801) received his first musical training at the Kreuzschule in Dresden, and probably studied with Hasse. Although...
Reviewed by David Vickers in issue: 13/2006
String quartets tend to offer all-Bartók or all-Ligeti discs, so this three-stage history of the medium in Hungary over the...
Reviewed by Arnold Whittall in issue: 10/2010
Naxos seems to be specialising in Johann Strauss’s later – and, it has to be admitted, lesser – operettas. Following...
Reviewed by Andrew Lamb in issue: 5/2009
Michelangeli playing Mozart? A rare enough event, in all conscience, but not quite unheard of. His admirers may already have...
Reviewed by Stephen Plaistow in issue: 7/1990
This version of the Mendelssohn Octet challenges the supremacy of the full-price Academy of St Martin's disc (Philips), since the...
Reviewed in issue 5/1988
This is a dazzling performance of the Octet, in just the right way: that is to say, the virtuosity is...
Reviewed by John Warrack in issue: 9/1990
“A sei voci” seems a conspicuously inappropriate name for the present ensemble, which consists of 12 voices plus positive organs,...
Reviewed by Lionel Salter in issue: 1/1997
With this pair of releases one might, I think, say that the playing of period wind instruments has come of...
Reviewed by Stanley Sadie in issue: 4/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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