Arabesque Romantic Harp Music of the 19th Century

Record and Artist Details

Composer or Director: Camille Saint-Saëns, Alphonse (Jean) Hasselmans, Traditional, Anonymous, Elias Parish Alvars, Albert Zabel, Wilhelm Posse, François Joseph Dizi, Franz Schubert, Claude Debussy

Label: Helios

Media Format: CD or Download

Media Runtime: 57

Mastering:

Stereo
ADD

Catalogue Number: CDA66116

Tracks:

Composition Artist Credit
(2) Arabesques, Movement: No 1 Claude Debussy, Composer
Claude Debussy, Composer
Susan Drake, Harp
Follets, 'Will-o'-the-wisp' Alphonse (Jean) Hasselmans, Composer
Alphonse (Jean) Hasselmans, Composer
Susan Drake, Harp
All through the night, 'Ar hyd y nos' Traditional, Composer
Susan Drake, Harp
Traditional, Composer
(3) Romances, Movement: No. 3 in F Elias Parish Alvars, Composer
Elias Parish Alvars, Composer
Susan Drake, Harp
Ave Maria, 'Ellens Gesang III' Franz Schubert, Composer
Franz Schubert, Composer
Susan Drake, Harp
(24) Préludes, Movement: La fille aux cheveux de lin Claude Debussy, Composer
Claude Debussy, Composer
Susan Drake, Harp
(La) Mandoline (Grande Study in Imitation of the m Elias Parish Alvars, Composer
Elias Parish Alvars, Composer
Susan Drake, Harp
(La) Source Albert Zabel, Composer
Albert Zabel, Composer
Susan Drake, Harp
Variations on 'Carnival of Venice' Wilhelm Posse, Composer
Susan Drake, Harp
Wilhelm Posse, Composer
Romance, 'Jeux interdits' Anonymous, Composer
Anonymous, Composer
Susan Drake, Harp
(48) Études François Joseph Dizi, Composer
François Joseph Dizi, Composer
Susan Drake, Harp
Marguérite douloureuse au rouet Albert Zabel, Composer
Albert Zabel, Composer
Susan Drake, Harp
(Le) Carnaval des animaux, 'Carnival of the Animals', Movement: The swan Camille Saint-Saëns, Composer
Camille Saint-Saëns, Composer
Susan Drake, Harp

Composer or Director: Camille Saint-Saëns, Alphonse (Jean) Hasselmans, Traditional, Anonymous, Elias Parish Alvars, Albert Zabel, Wilhelm Posse, François Joseph Dizi, Franz Schubert, Claude Debussy

Label: Helios

Media Format: Vinyl

Media Runtime: 0

Mastering:

Stereo
ADD

Catalogue Number: A66116

Tracks:

Composition Artist Credit
(2) Arabesques, Movement: No 1 Claude Debussy, Composer
Claude Debussy, Composer
Susan Drake, Harp
Follets, 'Will-o'-the-wisp' Alphonse (Jean) Hasselmans, Composer
Alphonse (Jean) Hasselmans, Composer
Susan Drake, Harp
All through the night, 'Ar hyd y nos' Traditional, Composer
Susan Drake, Harp
Traditional, Composer
(3) Romances, Movement: No. 3 in F Elias Parish Alvars, Composer
Elias Parish Alvars, Composer
Susan Drake, Harp
Ave Maria, 'Ellens Gesang III' Franz Schubert, Composer
Franz Schubert, Composer
Susan Drake, Harp
(24) Préludes, Movement: La fille aux cheveux de lin Claude Debussy, Composer
Claude Debussy, Composer
Susan Drake, Harp
(La) Mandoline (Grande Study in Imitation of the m Elias Parish Alvars, Composer
Elias Parish Alvars, Composer
Susan Drake, Harp
(La) Source Albert Zabel, Composer
Albert Zabel, Composer
Susan Drake, Harp
Variations on 'Carnival of Venice' Wilhelm Posse, Composer
Susan Drake, Harp
Wilhelm Posse, Composer
Romance, 'Jeux interdits' Anonymous, Composer
Anonymous, Composer
Susan Drake, Harp
(48) Études François Joseph Dizi, Composer
François Joseph Dizi, Composer
Susan Drake, Harp
Marguérite douloureuse au rouet Albert Zabel, Composer
Albert Zabel, Composer
Susan Drake, Harp
(Le) Carnaval des animaux, 'Carnival of the Animals', Movement: The swan Camille Saint-Saëns, Composer
Camille Saint-Saëns, Composer
Susan Drake, Harp

Composer or Director: Camille Saint-Saëns, Alphonse (Jean) Hasselmans, Traditional, Anonymous, Elias Parish Alvars, Albert Zabel, Wilhelm Posse, François Joseph Dizi, Franz Schubert, Claude Debussy

Label: Helios

Media Format: Cassette

Media Runtime: 0

Mastering:

Stereo
ADD

Catalogue Number: KA66116

Tracks:

Composition Artist Credit
(2) Arabesques, Movement: No 1 Claude Debussy, Composer
Claude Debussy, Composer
Susan Drake, Harp
Follets, 'Will-o'-the-wisp' Alphonse (Jean) Hasselmans, Composer
Alphonse (Jean) Hasselmans, Composer
Susan Drake, Harp
All through the night, 'Ar hyd y nos' Traditional, Composer
Susan Drake, Harp
Traditional, Composer
(3) Romances, Movement: No. 3 in F Elias Parish Alvars, Composer
Elias Parish Alvars, Composer
Susan Drake, Harp
Ave Maria, 'Ellens Gesang III' Franz Schubert, Composer
Franz Schubert, Composer
Susan Drake, Harp
(24) Préludes, Movement: La fille aux cheveux de lin Claude Debussy, Composer
Claude Debussy, Composer
Susan Drake, Harp
(La) Mandoline (Grande Study in Imitation of the m Elias Parish Alvars, Composer
Elias Parish Alvars, Composer
Susan Drake, Harp
(La) Source Albert Zabel, Composer
Albert Zabel, Composer
Susan Drake, Harp
Variations on 'Carnival of Venice' Wilhelm Posse, Composer
Susan Drake, Harp
Wilhelm Posse, Composer
Romance, 'Jeux interdits' Anonymous, Composer
Anonymous, Composer
Susan Drake, Harp
(48) Études François Joseph Dizi, Composer
François Joseph Dizi, Composer
Susan Drake, Harp
Marguérite douloureuse au rouet Albert Zabel, Composer
Albert Zabel, Composer
Susan Drake, Harp
(Le) Carnaval des animaux, 'Carnival of the Animals', Movement: The swan Camille Saint-Saëns, Composer
Camille Saint-Saëns, Composer
Susan Drake, Harp
All the music is played on the harp, and with the possible exception of Anon, was written in the nineteenth century, but more than one-quarter of it is harp music only by arrangement or adoption.
There is no shortage of original material from the period but the objective here is plainly to include a few pops (Debussy, Schubert, Saint-Saens, Anon) to attract the listener who may not know one harp composer from another, or, to judge by the sleeve-note, how a harp works. Susan Drake of course knows very well how it works and she is also a very sensitive musician, avoiding any suggestion of the tasteless excesses to which some of the music is vulnerable—and to which others might succumb. She produces a wide dynamic range, such that recourse to the volume control on behalf of the quietest passages (mere murmurs) will sooner or later be repaid by a disconcerting assault on the eardrums. All the music sounds comfortable on the harp but it is the original music that works best, written by those who fully understand how to exploit this idiosyncratic instrument; Hasselmans and Parish-Alvars in particular produce some magical effects—horses for courses, as it were. It is a very clean, somewhat low-level recording that will give much pleasure to harpists, day-dreamers and the good, old fashioned romantics in our midst.'

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