Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Tchaikovsky took a friendly interest in the young Ippolitov-Ivanov, who had for some years been a pupil of rimsky-Korsakov adn...
Reviewed by John Warrack in issue: 11/1985
This reissue (as in the case of the other operas in this series) brought back many happy memories of watching...
Reviewed by Alan Blyth in issue: 4/1992
I enjoyed these discs with more provisos than in most of the previous issues in the Kodaly's evolving Haydn cycle....
Reviewed by Richard Wigmore in issue: 6/1994
Lavish packaging in the shape of a richly illustrated book detailing the history and design of the 1751 Dupont organ...
Reviewed by Marc Rochester in issue: 5/2011
Opera librettos, like Hollywood films, are notoriously indifferent to the true representation of historical events and cavalier in their treatment...
Reviewed by Lionel Salter in issue: 8/1986
Under 45 minutes of music here, but few customers should complain as they listen to such powerful performances of four...
Reviewed in issue 10/1984
Comfortably recorded with a natural pit/stage balance – as were its predecessors in Hamburg’s unfolding live Ring (8/09, 3/10) –...
Reviewed by Mike Ashman in issue: 13/2011
The Naxos Szymanowski series continues its estimable task of placing relatively familiar major works in appropriate but less familiar contexts....
Reviewed by Arnold Whittall in issue: 6/2009
Jake Heggie is the kind of composer that musical theatre – and I make no distinction between musicals and opera...
Reviewed by Edward Seckerson in issue: 13/2010
Regular readers of Gramophone may be surprised to encounter ‘official’ CDs featuring a conductor who compared making records...
Reviewed in issue 2/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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