Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This recording complements Cherkassky’s 1994 studio performance of Rubinstein’s Fourth Piano Concerto (made when he was 85) with a selection...
Reviewed by Bryce Morrison in issue: 3/1996
Here are two performances that I think are of unequal quality. Rubinstein obviously felt at home when recording with Wallenstein,...
Reviewed by James Methuen-Campbell in issue: 9/1988
Ludwig Minkus may have been no Delibes or Tchaikovsky, but he does not deserve the disparaging comments that have often...
Reviewed by Andrew Lamb in issue: 12/1995
Paul Patterson, longtime professor of composition at the Royal Academy of Music, is here celebrated in recordings of three major...
Reviewed by Edward Greenfield in issue: 4/2011
Despite a certain in-built incongruity, harpsichords (even modern instruments, by the sound of them) partnered in Bach by an orchestra...
Reviewed by Lionel Salter in issue: 8/1998
The focus here is on the ceremonial music of Wagner’s years in Dresden, that highly unstable time in the 1840s...
Reviewed by Arnold Whittall in issue: 11/1997
The occasion captured on this live 1969 recording from the Mozarteum in Salzburg was planned specifically for young people who...
Reviewed by Richard Fairman in issue: 9/2000
Rarely do orchestral collections such as this avoid mixing the well-known with the over-familiar, full marks, then, to BIS for...
Reviewed in issue 1/1993
I suppose all this may pass muster on the soundtrack of the new film from which it is taken, where...
Reviewed by Lionel Salter in issue: 3/1987
Marco Polo’s first two Sullivan discs offered ballet, concert and incidental music from the composer’s early days (6/93). Here we...
Reviewed by Andrew Lamb in issue: 1/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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