Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Little known outside Germany, Volker David Kirchner’s music tends towards the introspective and self-searching. The two works for string sextet,...
Reviewed by kYlzrO1BaC7A in issue: 13/1999
Occasionally a record comes along which proves so involving that one forgets one is reviewing it. These performances are so...
Reviewed by Robert Layton in issue: 7/1993
Refinement is not a quality which one normally associates with the New York Philharmonic, even though it has been one...
Reviewed in issue 5/1993
Once you've discounted the typically adventurous coupling, Dohnanyi's third Mahler symphony on disc brings few revelations. This is a CQOI,...
Reviewed in issue 1/1993
Labels such as LSO Live bring altered priorities and fresh perspectives. When did a studio-based company last contemplate recording Brahms’s...
Reviewed by Richard Osborne in issue: 3/2004
This is another exemplary addition to the Finzi Singers’ ever-expanding discography. The earliest offerings here comprise Even such is time,...
Reviewed by Andrew Achenbach in issue: 7/1996
Put on the opening seconds of Bogoroditse Djevo ('Rejoice, O Mother of God') - a King's College Choir Commission from...
Reviewed by Rob Cowan in issue: 4/2000
Mikhail Kopelman was leader of the Borodin Quartet for 20 years, a period which included one of the better recorded...
Reviewed by David Fanning in issue: 9/2011
Nicolas Gombert is a notoriously under-recorded composer, but his few appearances in the CD catalogue are fully worthy of him....
Reviewed by Fabrice Fitch in issue: 10/1996
In considering the various available recordings of Peter and the Wolf, inspite of a good modern Telarc/Conifer CD version by...
Reviewed by Ivan March in issue: 9/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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