Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Listening to the beginning of this record without knowing its contents was an unsettling experience. Repetitive, warmed-over Schumann, clumsily written...
Reviewed in issue 7/1986
In a very short article entitled ''Performing Greatness'' included at the end of the recently published The Keller Column (Lengnick;...
Reviewed by Stephen Johnson in issue: 4/1991
It is not particularly surprising that Jessonda should have been popular in its time nor that it should have been...
Reviewed in issue 11/1991
The odd man out here is the Magic Flute duet, arranged (with advantages, Mozart may or may not have thought,...
Reviewed by John Warrack in issue: 3/1997
DG's booklet says nothing at all about Rudolf Serkin and tells us only that Austrian Radio was responsible for this...
Reviewed by Stephen Plaistow in issue: 10/1989
The bad news straight away. Two external factors seriously undermine this disc. Firstly‚ the recorded sound is very close and...
Reviewed in issue 9/2002
The selection is an unusual one, and may well appeal to Berlioz collectors who want this particular combination; but such...
Reviewed by John Warrack in issue: 10/1991
Beyond the occasional madrigal, we haven’t heard much of John Ward’s music on CD. As in its own day, it...
Reviewed by Julie Anne Sadie in issue: 11/2009
The first half of this programme by The Sixteen (actually singing at a basic strength of 20 voices) consists of...
Reviewed by Lionel Salter in issue: 12/1993
These two recordings were made 20 years apart, the first being a compilation of two Saga Classics LPs. Those familiar...
Reviewed by Fabrice Fitch in issue: 6/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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