Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Sergey Bortkiewicz is one of the lesser known of the many émigrés who escaped from Bolshevik Russia. In his case...
Reviewed by David Fanning in issue: 6/0
In the old days, composers used to make lots of money by transcribing operatic numbers into all manner of musical...
Reviewed by Richard Osborne in issue: 9/1990
The title of this CD is something of an understatement: rare songs. Even the names of some of the composers...
Reviewed by Patrick O'Connor in issue: 7/1999
Bernard Shaw hailed Puccini as the most likely successor to Verdi after just one hearing of Manon Lescaut. Subsequent British...
Reviewed by kYlzrO1BaC7A in issue: 0/0
As a way of making what may or may not be music, placing microphones into urban or rural environments and...
Reviewed by Philip_Clark in issue: 6/2011
This is billed as Vol. 5 of a complete cycle of Beethoven’s quartets, and leaves me keen to hear further...
Reviewed by DuncanDruce in issue: 10/1997
This set of Smetana’s orchestral works is the best possible antidote to an overdose of 19th-century angst. For here, despite...
Reviewed by Bryce Morrison in issue: 7/2008
Although the first of these two discs is titled ‘Complete Works for Piano’, the first thing one notices from the...
Reviewed by Guy Rickards in issue: 6/2003
This is a memento of an extraordinary occasion – John Cage’s last concert appearance on July 23rd, 1992, in the...
Reviewed by Peter Dickinson in issue: 3/2000
These two releases (both of which present a number of works not otherwise in the catalogue) make a useful complementary...
Reviewed by Lindsay Kemp in issue: 5/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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