Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
French pianist David Fray, at 28 years old already acclaimed for an intensive and dazzling career, now makes a Schubert...
Reviewed by Bryce Morrison in issue: 12/2009
No quarrels with these performances, which are lively and expert enough even if the strings are a little wanting in...
Reviewed by Robert Layton in issue: 3/1994
Here are two recent issues of Book 1 of Bach's 48 or, more properly Das Wohltemperierte Clavier. Recently issued, certainly,...
Reviewed by Nicholas Anderson in issue: 4/1990
The Emperor is the only Beethoven piano concerto not to have been premiered by Beethoven himself. By 1811 his deafness...
Reviewed by Richard Osborne in issue: 6/2008
Most versions of the Cello Concerto are coupled with other orchestral pieces: Mischa Maisky's with a rather mannered account of...
Reviewed by Robert Layton in issue: 10/1988
Although everyone knows the Karelia Suite and the Overture, which Sibelius published separately as his Op. 10, no one will...
Reviewed by Robert Layton in issue: 4/1998
When I first heard Norma at Covent Garden in 1952, I have to confess (if confession it be) that it...
Reviewed by Alan Blyth in issue: 1/1991
Oedipus Rex was conceived as an opera without drama or movement, in which the narrator gives the game away before...
Reviewed by David Gutman in issue: 13/2005
The gaps in the list of Haydn symphonies available on CD are gradually being filled, and this highly enjoyable new...
Reviewed by Edward Greenfield in issue: 3/1989
Hyperion has done Byrd proud: to Davitt Moroney’s award-winning traversal of the complete keyboard music we can now add 13...
Reviewed by Fabrice Fitch in issue: 4/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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