Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
As the earliest surviving complete polyphonic setting of the 'turba' passages in a Passion, this work has a significant place...
Reviewed by David Fallows in issue: 3/1987
A performance recorded in Munich in 1963 had the same Arabella, Mandryka and conductor (DG, 11/95 – nla). That production...
Reviewed by Alan Blyth in issue: 1/2006
Both these releases qualify as essential listening. Though composed about 15 years apart, NUN and Ausklang have much in common....
Reviewed by Fabrice Fitch in issue: 1/2008
All the music in this new disc from Deutsche Harmonia Mundi is currently available elsewhere in The Classical Catalogue and...
Reviewed by Nicholas Anderson in issue: 4/1991
As Elgar himself said to the young Boult after a triumphant performance of the Second Symphony in 1920 – till...
Reviewed by Edward Greenfield in issue: 3/2002
As befits a comedy of manners with an exceptionally precise musical setting – and we’re talking about mood, not date...
Reviewed by Mike Ashman in issue: 1/2010
A well-contrasted programme of late Haydn piano trios in sympathetic performances makes for a tempting proposition. I particularly enjoyed the...
Reviewed by Richard Wigmore in issue: 2/1999
Anthony Goldstone and Caroline Clemmow are sensibly presenting their survey of Schubert piano duets in seven varied recitals, each with...
Reviewed by Tim Parry in issue: 7/1999
''Bohmerl'' was Strauss's endearing diminutive for the conductor who did most to propagate the composer's music during his lifetime and...
Reviewed by Alan Blyth in issue: 11/1994
Guide to Strange Places is a great title that’s been waiting for a piece. Whether John Adams’s 2001 Technicolor 20-minute...
Reviewed by Philip_Clark in issue: 9/2009
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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