Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Both Matthias Goerne and Alfred Brendel have recorded Winterreise before, Goerne with Graham Johnson, Brendel with Dietrich Fischer-Dieskau. Their coming...
Reviewed by John Warrack in issue: 9/2004
When the Posthorn Serenade has prompted so many excellent versions recently, on CD as well as LP (see above), it...
Reviewed by Edward Greenfield in issue: 3/1986
What I imagine happened here was that a live performance of the Lyric Symphony in Prague was so well received...
Reviewed by Michael Oliver in issue: 7/1996
The organization that was “as close as your nearest telephone” is now as close as your nearest CD player –...
Reviewed in issue 11/1996
This is not a record for the purists but, accepted for what it offers, it is an enjoyable one. The...
Reviewed by John Duarte in issue: 4/1988
Reviewed by Guy Rickards in issue: 8/2003
Ten years on and we can now relive every second of an unrepeatable musical marathon. Celebrating the new millennium (and...
Reviewed by Jonathan Freeman-Attwood in issue: 12/2010
So far Nielsen's music to Adam Oehlenschlager's Aladdin has been known only from the (relatively familiar) seven-movement suite, Op. 34,...
Reviewed by Robert Layton in issue: 5/1993
Premiered in 1969 by Janos Starker, Miklos Rozsa’s Cello Concerto is a substantial, concentrated and (above all) superbly accomplished creation....
Reviewed by Andrew Achenbach in issue: 9/1996
Composed in 1906, Grechaninov’s First Piano Trio is a typical product of Russia’s ‘Silver Age’: typical in its expert, school-of-Rimsky...
Reviewed in issue 13/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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