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Mozart Die Zauberflöte

In his well-informed insert-note, Clemens Hosingler points out that this recording can lay claim to be the first-ever of Die...

Reviewed by Alan Blyth in issue: 1/1996

Russian Vocal & Orchestral Works

An unusually cheerful Russian programme this, with plenty of colour, plenty of tunes, the warm tones of voice, harp and...

Reviewed in issue 9/1991

Beethoven Piano Sonatas, Op 10

This is young person’s Beethoven. I don’t mean that at all patronisingly – after all, this is relatively youthful, high-spirited...

Reviewed by Tim Parry in issue: 2/2001

R. Strauss: Orchestral Works

It is difficult to think of a better programme to form a one-record representation of Strauss's orchestral music. If also...

Reviewed in issue 3/1986

Nørgård Choral Works

As Jean Christensen makes clear in his chapter 'Lyricism with a Dramatic Nerve' in The Music of Per Norgard (Scolar...

Reviewed by kYlzrO1BaC7A in issue: 3/2000

Theile St Matthew Passion

Johann Theile's St Matthew Passion dates from 1673. In my original review I remarked both upon the high level of...

Reviewed by Nicholas Anderson in issue: 6/1986

Bruckner Symphony No 0. Overture

The designation Nullte—or No. 0—for Bruckner's early D minor Symphony has perhaps brought it a certain ridicule; but it is...

Reviewed by Richard Osborne in issue: 1/1990

Russian Recital at the Wigmore Hall

Ever since her debut recital five years ago, which AB hailed as ‘one of the most exciting ... from any...

Reviewed by John Warrack in issue: 2/2001

Schubert Complete Lieder, Vol. 7

Once again the Hyperion Schubert Edition has literally surpassed itself. Elly Ameling, whose Schubert singing on disc over the years...

Reviewed by Alan Blyth in issue: 8/1990

Brahms: Works for viola and piano

The fact that this new record plays for 57'43'' as against the Talich/Bogunia's 39'28'' on Calliope is not just because...

Reviewed by Joan Chissell in issue: 9/1986

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