Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A first-class bargain, let down only by inadequate notes, the fact that the words of the vocal pieces are not...
Reviewed by Michael Oliver in issue: 10/1997
Among the many excellent features of the English Orpheus series, of which this issue is Vol. 20, is the provision...
Reviewed in issue 1/1994
Ravel’s Quartet, written in his late twenties, and Fauré’s, written in his late seventies, conform fairly closely to our expectations...
Reviewed by rnichols in issue: 8/2005
It may be getting dangerously close to saying precisely what I don't want to say about this set, but one...
Reviewed by Michael Oliver in issue: 9/1990
This super-budget Elgar Second is surely well worth anyone's money. As on Loughran's companion disc of the First Symphony (2/93),...
Reviewed by Andrew Achenbach in issue: 8/1993
Julian Lloyd Webber gives a creditable performance of these concertos in which he very ably directs the orchestra himself; the...
Reviewed in issue 12/1985
This is a terrific disc. Right from the very first bars of the invigorating Water Music Symphony (1984), one is...
Reviewed in issue 2/1998
This outstanding disc is the counterpart of Michael Collins’s coupling of Spohr’s first two Clarinet Concertos with the same forces...
Reviewed by Edward Greenfield in issue: 7/2008
What’s genuine mingles with much that is inauthentic, thought to be authentic or of doubtful provenance. It’s the sort of...
Reviewed by Nalen Anthoni in issue: 4/2010
Zaremba‚ as she showed a few years ago at Covent Garden‚ has one of those rich‚ voluptuous mezzos that entrance...
Reviewed in issue 13/2001
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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