Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Renewed praise first of all for Graham Johnson, author of this huge project. We should feel privileged to be present...
Reviewed by Alan Blyth in issue: 1/1996
If you have the initial impression, as I had, that this is a motley collection of pieces, lacking focus, I’d...
Reviewed by DuncanDruce in issue: 6/2007
Shaker Loops was John Adams's first major success, and for all the media coverage of his more recent, often more...
Reviewed in issue 12/1990
When writing these last two sonatas just a couple of months before his death, Schubert was still only 31. Yet...
Reviewed by Joan Chissell in issue: 9/1989
This recording, like Verdi’s opera, has attracted mixed reviews over the years. Composed for Paris in 1855, Les Vepres siciliennes...
Reviewed by po'connor in issue: 1/2008
The only other CD account of the First Symphony is from Neeme Jarvi and the Gothenburg Symphony Orchestra on BIS/Conifer,...
Reviewed by Robert Layton in issue: 1/1985
Dutch composer Henk de Vlieger describes his symphonic synthesis of the complete Ring cycle as “An Orchestral Adventure”, following very...
Reviewed by Edward Greenfield in issue: 4/2008
The six sonatas CPE Bach published in 1760 stand out for their rich melodic invention and subtle rhythmic manipulations of...
Reviewed by Jed Distler in issue: 5/2011
In addition to the six organ pieces Durufle eventually allowed to be published this disc also contains three of the...
Reviewed by Marc Rochester in issue: 10/1997
The name Anthony Collins (1893-1963) probably doesn't mean a great deal to the majority of younger Gramophone readers, but for...
Reviewed by Stephen Johnson in issue: 6/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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