Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Let’s face it: these adaptations by Boccherini of some of his other compositions won’t shake the world. Charles Burney’s epithets...
Reviewed by Nalen Anthoni in issue: 2/2001
Sir Julius Benedict (German-born, he was knighted in 1871) was central to musical life in Victorian England. His opera The...
Reviewed by Jeremy Nicholas in issue: 10/2009
Far be it for me to complain that record companies are giving us a surfeit of Franck. But new recordings...
Reviewed by Marc Rochester in issue: 9/1991
So much spatial information is written into Martinu's music that an over-active acoustic can all too easily upset the delicate...
Reviewed by Edward Seckerson in issue: 6/1991
There is some evidence that Dmitri Tsyganov, who made these violin and piano transcriptions of Shostakovich's Preludes with the composer's...
Reviewed by Michael Oliver in issue: 4/1988
One’s own vernacular is the language of common sense, and Il trovatore is not of that realm. The extremes of...
Reviewed by John Steane in issue: 11/2000
As the operatic opening cantilena of Ramón Carnicer’s Fantasía immediately demonstrates‚ Joan Enric Lluna‚ principal clarinet of the Bournemouth Sinfonietta‚...
Reviewed in issue 8/2002
Early this century Percy Dearmer and Vaughan Williams entered into a literary and musical partnership, with a view to the...
Reviewed by mberry in issue: 7/1989
There’s no question that the Trio Wanderer are a very classy ensemble. Their previous recordings of Ravel, Shostakovich, Schubert and...
Reviewed by Harriet Smith in issue: 10/2007
Apparently indifferent to the possible existence of other St Thomas churches (wasn’t someone called Bach associated with one?), this choir...
Reviewed by Lionel Salter in issue: 9/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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