Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Freni sets out on a path new to her on records, entering Muzio-territory, or, if preferred, Olivero-land. Callas and Tebaldi...
Reviewed in issue 9/1992
After Krauss's 1953 Ring at Bayreuth, reviewed in June, here is his Parsifal from the same festival. It appears to...
Reviewed by Alan Blyth in issue: 9/1988
Peter Holman is exceptional among professional musicians for his scholarly command of his chosen repertory, deriving from his work on...
Reviewed in issue 6/1994
With the one obvious exception, Ireland’s songs are not made of the stuff that gains popularity.In Sea Fever he hit...
Reviewed in issue 8/1999
''Rejuvenated'' was the word chosen by Michael Oliver when Brendel's oldish recording of the Impromptus reappeared on CD this April....
Reviewed by Joan Chissell in issue: 10/1984
For her second Hyperion disc, Alina Ibragimova chooses repertoire even rarer and more neglected. Roslavets’s First Violin Concerto (1925) was...
Reviewed by Guy Rickards in issue: 1/2009
Nyman’s swirling, grandly romantic Piano Concerto is more than just an opportunistic reworking of material from the hugely popular film...
Reviewed by rseeley in issue: 2/1997
Not your average collection of Mahler symphonies, but one which, with pride, charts in words and music, the impact of...
Reviewed by John Steane in issue: 1/1999
“Orchestral Suites for a young prince” is what this release advertises, in reference to the fact that Sonnerie perform Bach’s...
Reviewed by Lindsay Kemp in issue: 8/2009
Cecilia Bartoli’s latest foray into Baroque music is adorned with what might be a contender for worst cover of the...
Reviewed by David Vickers in issue: 11/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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