Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The major work here is Frank Martin's incandescent Mass (1922, rev 1926), written as “an affair between me and God”,...
Reviewed by Guy Rickards in issue: 12/2006
Admiring much in the performances, I did not enjoy the sound one bit. We know that sometime after her glorious...
Reviewed in issue 2/1988
Even if no applause had been included, you could guess that these two quartets were recorded live—in fact at the...
Reviewed by Joan Chissell in issue: 10/1990
These are bright, lively performances, on modern instruments but well aware of 18th-century style. The finales of all three works...
Reviewed by DuncanDruce in issue: 2/2011
Congratulations are due to all concerned here. That includes the compilers who drew the best out of the two LP...
Reviewed in issue 11/1996
The Caruso recital is ordered chronologically, though all are from Victor originals so that the earliest recordings are unrepresented. The...
Reviewed in issue 10/1989
Verdi’s revisions are invariably improvements‚ but Aroldo‚ his 1857 recasting of Stiffelio‚ isn’t a simple revision. Stiffelio’s plot‚ of a...
Reviewed in issue 2/2002
Finzi began work on his Concerto for small orchestra and solo violin in 1925, dedicating it to Sybil Eaton (a...
Reviewed in issue 5/2001
Liza Lim’s music brings, it would seem, a metaphysical baggage with it. According to the insert notes by Max Nyffeler...
Reviewed by Ivan Moody in issue: 6/2003
Did his mastery of mainstream European orchestral music leave Rudolf Kempe at a loss when confronted with Tippett’s Utopian synthesis...
Reviewed by Arnold Whittall in issue: 9/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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