Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
With this fine account of the First Symphony, Vladimir Ashkenazy and the Philharmonia Orchestra complete their Sibelius cycle for Decca—and...
Reviewed by Robert Layton in issue: 5/1986
This admirable recital forms a sequel to Stephen Hough’s Gramophone Award-winning Chandos disc of the A minor and...
Reviewed by Bryce Morrison in issue: 1/1998
It is good to have this collection of Strauss's music for brass transferred to CD. The sound is clear throughout...
Reviewed in issue 1/1989
Like Nyman’s earlier opera Man and Boy: Dada (6/05), Love Counts has a libretto by Michael Hastings, uses the Michael...
Reviewed by Peter Dickinson in issue: 7/2007
Both these discs are first instalments of complete Beethoven sets, and both offer technically secure performances with plenty of character....
Reviewed by DuncanDruce in issue: 3/2004
Many are the concertos attributed to Haydn but these three are undisputedly authentic. The keyboard part in No 4 is...
Reviewed by Nalen Anthoni in issue: 4/2005
Along with the violin concertos and the Brandenburgs, the four Orchestral Suites have over a long period of time been...
Reviewed by Lindsay Kemp in issue: 5/1997
There is nothing quite like the countertenor voice for arousing a varied individual response, but if you are still unsure...
Reviewed by Tess Knighton in issue: 9/1989
During the final years of his life, Poulenc described his own personality, ‘What has often been praised as my charming...
Reviewed by Patrick O'Connor in issue: 4/1999
New World’s new disc collects four of Toch’s most vibrant and appealing orchestral scores. The earliest is the 1926 First...
Reviewed by Guy Rickards in issue: 10/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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