Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Vivaldi’s Op 2 contains 12 violin sonatas, and was originally released in an edition by the Venetian music publisher Antonio...
Reviewed by David Vickers in issue: 13/2004
This pioneering set of Gerontius has come up newly minted in these superbly engineered transfers taken from 78rpm masters, apart...
Reviewed by Alan Blyth in issue: 2/1994
Miss Potter's music draws much of its inspiration from the Cumbrian countryside which features in the love story of Beatrix...
Reviewed by Adrian Edwards in issue: 3/2007
This is the first release in Mendelssohn year to have come my way that truly adds to the festivities. It...
Reviewed by Harriet Smith in issue: 10/2009
Here’s another sumptuous instalment of Sir Simon Rattle’s Szymanowski cycle, showing that his rapport with his former Birmingham colleagues is...
Reviewed by Arnold Whittall in issue: 11/2006
Three viable recordings here, each with merit enough to justify purchase, and each with a short-coming to raise doubt. All...
Reviewed in issue 1/1989
Both these Ashkenazy recorded performances have stood the test of time, and both recordings were originally, first class, so that...
Reviewed by Ivan March in issue: 3/1987
“After Chopin,” wrote Paderewski, “Moritz Moszkowski best understands how to write for the piano” – a view reflected in these...
Reviewed by Jeremy Nicholas in issue: 2/2009
This second tranche of EMI’s Karajan Edition takes us back to the post-war years in Vienna, to the world of...
Reviewed by Richard Osborne in issue: 9/1997
This recording (made after rather than during the 1962 occasion) is the first in a series celebrating Moscow’s International Tchaikovsky...
Reviewed by Bryce Morrison in issue: 8/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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