Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Kenneth Gilbert now adds to his impressive list of recordings of Bach's solo harpsichord music the Chromatic Fantasia and Fugue...
Reviewed by Nicholas Anderson in issue: 5/1991
Naxos apologises in the booklet for moments of distortion in the finale (something you’re only likely to read – rather...
Reviewed by Richard Osborne in issue: 2/2001
There is a Brucknerian glow to the sound in the opening of the Prelude, giving a reminder that the orchestra...
Reviewed by Edward Greenfield in issue: 11/1990
This enterprising recording offers for the first time all the vocal numbers of Sullivan’s debut comic opera. Complete dialogue and...
Reviewed by Andrew Lamb in issue: 11/1998
In the period between the two world wars, Walter Braunfels (1882-1954) was among the most widely performed of all living...
Reviewed by Michael Oliver in issue: 7/1994
This release of Rosalyn Tureck’s live traversal of Book 1 of Bach’s ‘48’ for BBC Radio 3 – spread across...
Reviewed by Tim Parry in issue: 3/2003
Is there a version of all the Rachmaninov Preludes that is completely satisfying? Moura Lympany’s 1951 account comes closer than...
Reviewed by Jeremy Nicholas in issue: 12/2005
Given the generally mixed success of Charles Dutoit in Russian repertoire, it is no surprise to find here music-making of...
Reviewed in issue 10/1994
There's nothing here for Britain's anti-Sinopolites to add to their castigation of this controversial conductor. His and Mischa Maisky's interpretation...
Reviewed in issue 7/1991
Fascinating works that vacillate between old and new styles, with extensive song-like slow movements (particularly in the Concerto in F...
Reviewed by Harriet Smith in issue: 5/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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