Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Naïve’s anthology of “New Discoveries” is supervised by Federico Maria Sardelli, an accomplished recorder-player and also a musicologist at the...
Reviewed by David Vickers in issue: 13/2009
John Toll recently succumbed to cancer in his early fifties‚ thus depriving the world of a supreme continuo player‚ in...
Reviewed in issue 2/2002
To my mind, the best of the compositions by the American composer Charles Wuorinen on these discs is the Second...
Reviewed by Arnold Whittall in issue: 7/1993
Neither of these song cycles was originally written with orchestral accompaniment. On Wenlock Edge was scored for accompaniment of piano...
Reviewed in issue 9/1984
It would of course be perfectly possible for a suitably instructed computer to perform Terry Riley’s In C on electronic...
Reviewed in issue 7/2002
How shocking that this inspired reading of the Beethoven Violin Concerto, with Menuhin directing his own Festival Orchestra, should have...
Reviewed by Edward Greenfield in issue: 10/2003
This latest version of Harold in Italy, the most richly recorded yet, not only brings the characterful viola playing of...
Reviewed by Edward Greenfield in issue: 8/1988
Recorded in April 2002, this may be of interest as an update on Carreras’s voice and art; and let’s hope...
Reviewed by John Steane in issue: 12/2003
The note accompanying this record claims that the Hanover Band ''uses authentic instruments and period principles of interpretation'' and that...
Reviewed by John Warrack in issue: 6/1989
It is good to see the Cello Concerto on CD at last though it is puzzling that a work of...
Reviewed by Robert Layton in issue: 7/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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