Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The 12 violin concertos which make up La cetra were published in Amsterdam in 1727 as Vivaldi's Op. 9. They...
Reviewed by Nicholas Anderson in issue: 8/1993
Several versions of Weber's Clarinet Quintet exist on records, but the other two works listed above are rarer; and they...
Reviewed by John Warrack in issue: 9/1985
Virgil Thomson's homely music has never made much of an impact outside the States and on its first release in...
Reviewed in issue 12/1988
“Rostropovich – The Russian Years” is the musical equivalent of a National Lottery windfall. Had anyone told me, five or...
Reviewed in issue 5/1997
Astonishingly, this is the only recording currently available of music from that most precious of early Tudor sources, the Eton...
Reviewed in issue 11/1989
The most recent of Florilegium’s discs is a Bach family anthology featuring three members of the clan whose music seldom...
Reviewed by Nicholas Anderson in issue: 7/1996
In reviewing the two earlier Preiser Paseros (6/90 and 4/95), JBS has expatiated on the merits of a bass who...
Reviewed by Alan Blyth in issue: 2/1997
Conductor and pianist Stanley Black wore many hats in the world of light music, including that of music director for...
Reviewed by Adrian Edwards in issue: 7/2005
First came Carols for Choirs‚ then the new Oxford Book of Carols and now Noël!. New carol anthologies appear as...
Reviewed in issue 12/2001
The solo playing of Jeremy Menuhin and his artistic partnership with his father is not overgenerously represented on record, so...
Reviewed by hfinch in issue: 7/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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