Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Miklós Dolinszky (Könemann Music, Budapest) doubts if No 11 is by Haydn; Georg Feder (New Grove) thinks it probably is,...
Reviewed by Nalen Anthoni in issue: 2/2006
Gluck's Don Juan ballet of 1761 is reckoned just as important in the history of ballet as his Orfeo ed...
Reviewed by Stanley Sadie in issue: 10/1993
Vladimir Jurowski is familiar to UK audiences through his live music-making with the LPO. Now this adaptable maestro is striking...
Reviewed by David Gutman in issue: 7/2006
John Ireland was just 14 when he entered London’s Royal College of Music to study piano with Frederick Cliffe. Two...
Reviewed by Andrew Achenbach in issue: 8/2006
The demand of collectors for organ music and for the infinitely varied sounds of this protean instrument has had a...
Reviewed by Christopher Headington in issue: 9/1988
Praetorius (c1571-1621) was the first great musical commentator and elaborator of the Lutheran chorale. Prolific he certainly was, with over...
Reviewed by prussell in issue: 3/1996
This latest addition to Chailly’s Amsterdam Bruckner cycle begins, in an interesting and mildly provoking way, with four of Hugo...
Reviewed by Richard Osborne in issue: 8/1999
Many artists have rightly said that you shouldn't play a work unless you love it, a sermon that seems not...
Reviewed by John Duarte in issue: 1/1986
Small works perhaps, not in the same league as the masterpieces of the genre to come, but far from small...
Reviewed by Nalen Anthoni in issue: 9/2010
In reviewing this set on its first appearance I registered admiration rather than unqualified pleasure. This superb ensemble has all...
Reviewed by Robert Layton in issue: 8/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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