Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
To listen to these five CD reissues of classic Viennese operettas is to revisit what seems like a golden age,...
Reviewed by Andrew Lamb in issue: 2/1995
For almost a quarter of a century Menuhin's recording of Bach's three most popular violin concertos has been a staple...
Reviewed by Edward Greenfield in issue: 1/1985
Israel- and American-trained after leaving Lithuania, Wainberg emerges as firm fingered as minded in the Humoresque and Romances, albeit inclined...
Reviewed by Joan Chissell in issue: 2/1999
Tenor Toby Spence is the featured artist in this recital but the biggest work, taking up the second half of...
Reviewed by Edward Greenfield in issue: 4/2008
Mozart was without doubt the greatest composer of music for wind instruments, either as soloists or as members of an...
Reviewed by rgolding in issue: 4/1993
We can argue till the combined harvesters come home about the emotional content of Shostakovich's symphonies; but there is no...
Reviewed in issue 9/1992
On the evidence of this disc there is no reason to dispute the Grove Dictionary claim that Sigismondo d’India was...
Reviewed by Lindsay Kemp in issue: 4/2003
Comparing the first few vocal phrases in these two performances, I began to suspect that, for once, Fischer-Dieskau would not...
Reviewed by Arnold Whittall in issue: 10/1991
This recording of three English Serenades is made by American artists, would that English musicians might record comparable American works...
Reviewed in issue 10/1989
Most surprising about this recording of Frank Martin’s Der Sturm is its being the first complete account of an opera...
Reviewed by Richard_Whitehouse in issue: 8/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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