Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Returning to this after a longish period (and without the American LPs now at hand for direct comparison), I find...
Reviewed in issue 10/1994
It comes as no surprise to learn that Glass’s Third Symphony (Wood‚ 190001) was ‘one of the most frequently performed...
Reviewed in issue 3/2002
Mozart's concertos for two and three pianos and orchestra, written at Salzburg in the latter half of the 1770s, might...
Reviewed by David Vickers in issue: 5/2008
Franci’s hyperbolic booklet-note leaves one in no doubt as to his advocacy of this music. There’s some exquisitely detailed playing...
Reviewed by kYlzrO1BaC7A in issue: 8/1999
These days each new Hoffmann seems to have not merely its individual cast but its own individual text. Not so...
Reviewed by Andrew Lamb in issue: 6/1989
One of the century’s legendary achievements on record confirms its reputation on this well-managed reissue. Here Toscanini’s blazing intensity, his...
Reviewed by Alan Blyth in issue: 3/1992
Honegger's wartime symphony for strings with trumpet obbligato is the most recorded of his five symphonies, and is one of...
Reviewed by Robert Layton in issue: 10/1988
The first three movements of Michael Haydn’s A major Symphony (P6) began life as a ballet; while its finale comes...
Reviewed in issue 4/1996
Essentially the chamber musician, the master of the refined and the exquisite, Boccherini often seems to be out of his...
Reviewed by Stanley Sadie in issue: 4/1989
This is an attractive addition to Mitsuko Uchida's Mozart concerto series with Jeffrey Tate and the English Chamber Orchestra. The...
Reviewed by Christopher Headington in issue: 7/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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