Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘They generally lack emotional substance’ is Ewan West’s verdict (New Grove, 2nd Edition) on the piano compositions of Joseph Wölfl...
Reviewed by Nalen Anthoni in issue: 3/2004
Without in any way wishing to belittle his much-vaunted devotion to the Church and its music, I have to confess...
Reviewed by Marc Rochester in issue: 1/2001
Here is an artist. Indeed, the pianist is another, but, with whatever rough justice, interest focuses first upon the singer....
Reviewed in issue 11/1991
The very agreeable ambience of this recording makes for pleasant, undemanding listening. The highlight is the ''Dance of the hours''...
Reviewed by Ivan March in issue: 8/1985
Glinka left disappointingly little purely orchestral music, and almost everything performable is here. To these captivating pieces, which should be...
Reviewed by John Warrack in issue: 7/2000
This is the fourth volume of Charpentier sacred music to have come from Le Concert Spirituel, and appears after a...
Reviewed by Lindsay Kemp in issue: 8/2000
A solidly played, warm-toned account of the Fifth Symphony will probably excite someone unfamiliar with the music but it can...
Reviewed by Richard Osborne in issue: 1/1990
Schumann’s songs are surely performed now more frequently than at any period in the past. At the same time has...
Reviewed in issue 5/2002
Regent Records have the happy knack of making fine recordings of instruments that are slightly off the beaten track but...
Reviewed by Malcolm Riley in issue: 1/2010
As the author of the notes accompanying this recording points out, it is no mean achievement for a show that...
Reviewed by Andrew Lamb in issue: 1/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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