Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I'm not quite sure what cover design I'd have chosen for this collection. A Raphael drawing, to suggest the conservatism...
Reviewed by Michael Oliver in issue: 12/1993
This is a decidedly offbeat issue. In addition to an absorbing interpretation of Winterreise, which comprises the second CD, we...
Reviewed by Alan Blyth in issue: 6/1992
The Polish-born Huberman was 51 years old when he recorded these concertos in two days in June 1934. His style...
Reviewed in issue 8/1989
This is not the Hilliard Ensemble's first record of part-songs, catches and glees. Unlike its two predecessors (Meridian E77002, 6/78...
Reviewed in issue 9/1985
Sir Colin Davis may not be an instinctive Mahlerian like Leonard Bernstein or Klaus Tennstedt but he is usually at...
Reviewed in issue 6/1997
Vivaldi's last great set of printed concertos was La cetra (''The lyre''), published by Le Cene in Amsterdam in 1727....
Reviewed by Nicholas Anderson in issue: 4/1989
Mendelssohn's youthful Octet obviously meant a great deal to Svendsen though his own essay in the medium, a product of...
Reviewed by Robert Layton in issue: 5/1994
Taking a break from his admired Bartok and Debussy cycles for Philips, Zoltan Kocsis brings all of his customary exuberance,...
Reviewed by Bryce Morrison in issue: 3/1999
This is an intriguing and fascinating documentary. Fulbert of Chartres can scarcely be more than a name to the majority...
Reviewed by mberry in issue: 12/1995
Quantz wrote about 300 concertos and 200 chamber works for the flute, more than Vivaldi did for his instrument, the...
Reviewed by John Duarte in issue: 11/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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