Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is the sequel to Bernard Roberts's earlier Claudio disc of Stephen Dodgson's Second, Fourth and Fifth Piano Sonatas (9/98)....
Reviewed by Arnold Whittall in issue: 6/2000
This is an immensely likeable new version of Saint-Saens justly popular Organ Symphony. The LPO play throughout with great energy...
Reviewed by Ivan March in issue: 9/1984
This awesome cycle represents one of the most exhilarating monuments to Romanticism in keyboard music and exacting explorations of piano...
Reviewed by Jeremy Nicholas in issue: 3/2010
This is an imaginative coupling since both Britten and Maw are represented by song-cycles with guitar as well as 20-minute...
Reviewed by Peter Dickinson in issue: 8/2005
Anne Gastinel and François-Frédéric Guy, both formidable artists, share a common view of Beethoven. The phrases are finely drawn, with...
Reviewed by DuncanDruce in issue: 4/2005
One fascinating thing about good music is its robustness and, in particular, its adaptability, making it susceptible to a range...
Reviewed by Julie Anne Sadie in issue: 8/2003
The story is much the same as with the first volume of Naxos’s Karowicz symphonic poems. Although the orchestra is...
Reviewed by David Fanning in issue: 1/2009
I can warmly recommend this collection of Handel's most popular orchestral music, given a 'popular' yet nicely expressive treatment with...
Reviewed in issue 4/1985
I must declare my colours and say immediately that Prokofiev's Fourth Symphony is not a piece I would take to...
Reviewed by Ivan March in issue: 11/1985
Along with Horowitz's famous interpretation (RCA (CD) GD60377—to be reviewed later), Van Cliburn's is one that makes every bar of...
Reviewed in issue 5/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.