Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This collection is entitled ''Favourite Trumpet Concertos'', which is a little misleading, for although the Haydn and Hummel works are...
Reviewed by Ivan March in issue: 12/1990
Between any composer's Op. 5 and his Op. 104 there is likely to be, and indeed should be, a considerable...
Reviewed by John Warrack in issue: 6/1989
Here at last is a modern digital version of this favourite coupling that I can recommend almost without reservation. There...
Reviewed by Edward Greenfield in issue: 4/1993
The plot of Die heilige Linde defies summary, or even, it appears, synopsis. Though the leading Siegfried Wagner scholar Peter...
Reviewed by John Warrack in issue: 5/2004
The more one hears music from the four years Handel spent in Italy in his early twenties – and there...
Reviewed by Lindsay Kemp in issue: 10/2008
Time was when Steve Reich’s music was the exclusive domain of his own ensemble: then he was signed to Boosey...
Reviewed by Philip_Clark in issue: 9/2008
The spacious introduction to the symphony at once proclaims Otaka’s considerable Elgarian instincts: not only is the playing exceptionally refined...
Reviewed by Andrew Achenbach in issue: 1/1996
Carl Dolmetsch (1911-97) not only pioneered the return of the recorder to the London concert scene, but did his utmost...
Reviewed in issue 6/2001
A letter in the May edition expresses amazement at Gramophone’s ‘hysterical adulation’ of Beecham recordings, and while it...
Reviewed in issue 7/1999
In what terms might this collection be described as 'definitive'? I have no idea, but, sales promotion being what it...
Reviewed by John Duarte in issue: 2/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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