Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Roman Haubenstock-Ramati (b. 1919) used to be a prominent name in a certain music publisher's catalogue, but his music has...
Reviewed by Arnold Whittall in issue: 6/1992
Twenty years or so after his first recording of these two works (cassette only—HMV TCC2-POR1545979, 4/64), Pretre has returned to...
Reviewed by Lionel Salter in issue: 5/1986
It has always been something of a puzzle to me that Un giorno di regno still awaits a fully professional...
Reviewed by Alan Blyth in issue: 12/1989
Since it is the critic’s job to pontificate, what does one do about a performance so satisfying that, after it,...
Reviewed by Richard Osborne in issue: 12/1996
The really great moment here occurs as the transition to the Fourth Symphony’s finale edges in from the fragmented close...
Reviewed by Rob Cowan in issue: 7/2011
I was bowled over by my first encounter with Germaine Thyssens-Valentin – three extraordinary CDs of Fauré on Testament (8/02)....
Reviewed by Harriet Smith in issue: 5/2007
The spirituality of Messiaen's music cannot be measured in terms of value for money, but at something under £120 retail...
Reviewed in issue 4/1989
The excitement generated by the release of the Mass Videte miraculum (see DF's review in 7/93) is undoubtedly the strongest...
Reviewed by Fabrice Fitch in issue: 12/1993
When faced with recording the complete solo piano works of Chopin Ashkenazy was scrupulous in leaving nothing out—however insignificant. Perhaps...
Reviewed by Ivan March in issue: 11/1988
In violin terms, if the second quarter of the 20th century saw the Great Individualists, the third quarter belonged to...
Reviewed by Tully Potter in issue: 12/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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