Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Dufay's four-voice Ecce ancilla Domini Mass was probably composed in the early 1460s. The three-voice Mass Proper cycle De angelis...
Reviewed by Fabrice Fitch in issue: 11/1994
The coronation of a Roman Catholic king in Westminster Abbey in 1685 involved recasting the service so as not to...
Reviewed in issue 7/1987
Roughly half of this set is strongly recommendable—and even the half that isn't is still well worth hearing. Ferenc Fricsay...
Reviewed in issue 11/1994
In March 2000 Riccardo Muti conducted a staged performance of Tosca for the first time, only the second Puccini opera...
Reviewed by Edward Greenfield in issue: 5/2003
Listening again to Marriner's beautifully graceful, cantabile account of Apollon, I was reminded more than once of what Stravinsky said...
Reviewed by Michael Oliver in issue: 3/1985
There are plenty of pre-Soviet Russian symphonies awaiting disinterment, but none by a more major historical figure than these two....
Reviewed by David Fanning in issue: 6/2007
With four recently issued or reissued discs of Rachmaninov's Vespers—by Sveshnikov, Polianski (both Le Chant du Monde/Harmonia Mundi), Robev (Sound...
Reviewed by John Warrack in issue: 12/1989
This record contains all the three-part music now thought to survive from Josquin. There are also two that that influential...
Reviewed by David Fallows in issue: 12/1985
Tallis is one of those composers of whom one never tires: fresh discoveries are made at each new listening. The...
Reviewed by mberry in issue: 4/2000
The discerning collector of French melodies will know to avoid most of the recordings made by Gerard Souzay after about...
Reviewed in issue 9/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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