Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Valle d’Itria Festival at Martina Franca in Southern Italy has long specialised in 18th- and 19th-century operatic rarities, more...
Reviewed in issue 7/2001
Benedetto Marcello, younger brother of Alessandro, was a Venetian contemporary of Vivaldi. He is remembered in history books more for...
Reviewed by Nicholas Anderson in issue: 10/1999
Even after the recent release of an Austrian Radio recording of Der lustige Krieg (ORF CD240), Simplicius would not be...
Reviewed by Andrew Lamb in issue: 11/2000
It's a long time since I've enjoyed a record so much on so many counts—performance, recording, sleeve presentation, and last...
Reviewed by Joan Chissell in issue: 10/1985
Here is a disc promoted by the Spanish arm of Harmonia Mundi, designed to link the work of Ravel with...
Reviewed by Edward Greenfield in issue: 6/2007
Anyone who has tried to listen to music in St Paul’s Cathedral might be forgiven for hesitating before buying a...
Reviewed by Stanley Sadie in issue: 11/1998
Fanny Mendelssohn-Hensel was still only 26 when writing this little oratorio in 1831, just two years after her marriage. We're...
Reviewed by Joan Chissell in issue: 3/1989
Nothing for Brahms in earlier days was more momentous than the reception he received from Robert and Clara Schumann when...
Reviewed by Joan Chissell in issue: 11/1991
The most cogent reason for acquiring this set is Pavarotti's Riccardo, a superior reading to that on his later performance...
Reviewed by Alan Blyth in issue: 5/1994
When orchestras (to say nothing of audiences) were still baffled by these pieces, performances of them often sounded pretty terrible:...
Reviewed by Michael Oliver in issue: 11/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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